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Race-ing Art History
Details
Informationen zum Autor Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago. Klappentext This comprehensive anthology places issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Westernmasters such as Manet and Picasso and contemporary work by lesser known artists. Zusammenfassung This comprehensive anthology places issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Westernmasters such as Manet and Picasso and contemporary work by lesser known artists. Inhaltsverzeichnis List of figures List of Color Plates Introduction: Kymberly N. Pinder I. Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages 1. Just Like Us: Cultural Constructions of Sexuality and Race in Roman Art: John R. Clarke 2. Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs: Diane Wolfthal 3. A Sanctified Black: Maurice: Jean Devisse II. Imag(in)ing Race in the Eighteenth and Nineteenth Centuries 4. The Imaginary Orient: Linda Nochlin 5. Only Women should go to Turkey: Henriette Brown and the Orientalist Female Gaze: Reina Lewis 6. The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality: Sander Gilman 7. Going Native: Abigail Solomon-Godeau 8. Racism, Nationalism, and Nostalgia: J. Gray Sweeney 9. Blacks in Shark- Infested Waters: Albert Boime 10. Making a Man of Him: Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture: Michael Hatt III. Modernism and its Primitive Legacy 11. Histories of the Tribal and the Modern: James Clifford 12. The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism: Patricia Leighten 13. New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism: Anna C. Chave 14. Wilfredo Lam: Painter of Negritude: Robert Linsley 15. Sargent Johnson: Afro-Californian Modernist: Judith Wilson 16. Horace Pippin's Challenge to Art Criticism: Cornel West 17. In Search of the Inauthentic: Disturbing Signs in Contemporary Native American Art: Jean Fisher 18. Altars of Sacrifice: Re-membering Basquiat: bell hooks IV. Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century 19. International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965: Jae- Ryung Roe 20. The Other Immigrant: The Experience and Achievements of Afro-Asian Artists: Rasheed Araeen 21. Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation: Okwui Enwezor 22. Biraciality and Nationhood in Twentieth-Century American Art: Kymberly N. Pinder List of Contributors Permissions ...
Autorentext
Kymberly N. Pinder is Associate Professor of Art History at the School of the Art Institute of Chicago.
Klappentext
This comprehensive anthology places issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Westernmasters such as Manet and Picasso and contemporary work by lesser known artists.
Inhalt
List of figures
List of Color Plates
Introduction: Kymberly N. Pinder
I. Black Athenas, Semitic Devils and Black Magi: Reading Race from Antiquity to the Middle Ages
- Just Like Us: Cultural Constructions of Sexuality and Race in Roman Art: John R. Clarke
- Imaging the Self: Identity and Gender in Representations in a Yiddish Books of Customs: Diane Wolfthal
- A Sanctified Black: Maurice: Jean Devisse
II. Imag(in)ing Race in the Eighteenth and Nineteenth Centuries - The Imaginary Orient: Linda Nochlin
- Only Women should go to Turkey: Henriette Brown and the Orientalist Female Gaze: Reina Lewis
- The Hottentot and the Prostitute: Toward an Iconography of Female Sexuality: Sander Gilman
- Going Native: Abigail Solomon-Godeau
- Racism, Nationalism, and Nostalgia: J. Gray Sweeney
- Blacks in Shark- Infested Waters: Albert Boime
- Making a Man of Him: Masculinity and the Black Body in Mid-Nineteenth Century American Sculpture: Michael Hatt
III. Modernism and its Primitive Legacy - Histories of the Tribal and the Modern: James Clifford
- The White Peril and L'Art nègre: Picasso, Primitivism, and Anticolonialism: Patricia Leighten
- New Encounters with Les 'Desmoiselles d' Avignon: Gender, Race, and the Origins of Cubism: Anna C. Chave
- Wilfredo Lam: Painter of Negritude: Robert Linsley
- Sargent Johnson: Afro-Californian Modernist: Judith Wilson
- Horace Pippin's Challenge to Art Criticism: Cornel West
- In Search of the Inauthentic: Disturbing Signs in Contemporary Native American Art: Jean Fisher
- Altars of Sacrifice: Re-membering Basquiat: bell hooks
IV. Race-ing Us: White, Beige, Brown, and Black in the Twentieth Century - International Abstraction in a National Context: Abstract Paintings in Korea, 1910- 1965: Jae- Ryung Roe
- The Other Immigrant: The Experience and Achievements of Afro-Asian Artists: Rasheed Araeen
- Reframing the Black Subject: Ideology and Fantasy in Contemporary South African Representation: Okwui Enwezor
- Biraciality and Nationhood in Twentieth-Century American Art: Kymberly N. Pinder
List of Contributors
Permissions
Weitere Informationen
- Allgemeine Informationen
- GTIN 09780415927611
- Genre Art
- Editor Pinder Kymberly N.
- Anzahl Seiten 438
- Herausgeber Routledge
- Größe H254mm x B178mm
- Jahr 2002
- EAN 9780415927611
- Format Kartonierter Einband
- ISBN 978-0-415-92761-1
- Veröffentlichung 09.08.2002
- Titel Race-ing Art History
- Autor Kymberly N. Pinder
- Untertitel Critical Readings in Race and Art History
- Gewicht 810g
- Sprache Englisch