Re-Framing the Theatrical

Oddey questions the role of the spectator and director, and the nature of art works and performance. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic twenty-first century landscape.

'Alison Oddey - a highly regarded performance scholar - broke new ground with her first book on devising for theatre. In this latest intervention, Re-Framing the Theatrical , she makes some radical claims about performance, discussing spirituality, silence in performance, and the emergence of the spectator as performer-protagonist: key themes in contemporary practice and emerging theory.' - Professor Lizbeth Goodman, SMARTlab, University of East London

Autorentext
ALISON ODDEY is Visiting Professor of Contemporary Performance and Visual Culture at the University of Northampton, UK. As a broadcaster, she wrote and presented the BBC Radio 4 series 'Stand-ups and Strumpets'. Her publications include The Potentials of Spaces, Performing Women and Devising Theatre.

Inhalt
List of Figuress Acknowledgements Foreword; Colin Wiggins Re-Framing Director-Creator-Collaborator: Devising and Technology 'It's about Cross-Over': Cross-Art Performance Re-thinking the Theatrical Frame: The Opera Director, Video Artist and Visual Artists Landscapes for Performance : the Geographies of Deborah Warner Angels, Soul and Rebirth Narratives of the City, Interpretations of Director, Reflections of Spectator The Art of Sound: Auditory Directions Performing Silence Notes Bibliography Index