Renaissance Hybrids

In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Schmidt explores how early modern English authors, artists, explorers and statesmen framed questions of cultural and artistic heterogeneity. He demonstrates how 'postmodern' considerations can be used to elucidate cultural and literary developments in the English Renaissance, revealing a new dimension in the relation of early modern studies to the concerns of the present.

Zusatztext 'Schmidt's book offers an illuminating exploration of the multifarious manifestations of hybridism in the English Renaissance.' Seventeenth-Century News 'In [Schmidt's] densely researched and insightful book he offers new readings of early modern 'hybridity' in cultural and political contexts.' Shakespeare Jahrbuch Informationen zum Autor Gary A. Schmidt Klappentext In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Schmidt explores how early modern English authors, artists, explorers and statesmen framed questions of cultural and artistic heterogeneity. He demonstrates how 'postmodern' considerations can be used to elucidate cultural and literary developments in the English Renaissance, revealing a new dimension in the relation of early modern studies to the concerns of the present. Zusammenfassung In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature! Gary Schmidt examines how sixteenth- and seventeenth-century English authors! artists! explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity! including but not limited to cultural and political hybridity. In particular! Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs! centaurs! giants! and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play!' the volatile verse satires of Nashe! Hall and Marston! and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids! Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather! they can fruitfully elucidate cultural and literary developments in the English Renaissance! forging a valuable link in the history of ideas and practices! and revealing a new dimension in the relation of early modern studies to the concerns of the present. Inhaltsverzeichnis Introduction Renaissance Hybrids: Culture and Genre in Early Modern England; Chapter 1 Towards a Renaissance Theory of Hybridity; Chapter 2 Giant Aspirations: Cultural Archaeology in Spenser's 1590, Faerie Queene; Chapter 3 The View from Ireland: Spenser in 1596; Chapter 4 Satire and Politics in the English Renaissance; Chapter 5 Jacobean Absolutism and the Rise of Tragicomedy; Chapter 6 Afterword Hybrids Past and Present: The Final Boundary;...

Autorentext

Gary A. Schmidt

Inhalt

Introduction Renaissance Hybrids: Culture and Genre in Early Modern England; Chapter 1 Towards a Renaissance Theory of Hybridity; Chapter 2 Giant Aspirations: Cultural Archaeology in Spenser's 1590, Faerie Queene; Chapter 3 The View from Ireland: Spenser in 1596; Chapter 4 Satire and Politics in the English Renaissance; Chapter 5 Jacobean Absolutism and the Rise of Tragicomedy; Chapter 6 Afterword Hybrids Past and Present: The Final Boundary;