Semiological analysis of the song "BOMA NGUNGI"

SEMIOLOGICAL ANALYSIS OF THE SONG "BOMA NGUNGI", considered to be one of the factors contributing to the depravation of morals among young people in the commune of N'DJILI, is the subject chosen for the communication study. Its main concern is to identify the signs contained in the song, through its "Dance steps" and its "Text", inciting the young people of our time, in this case those of N'djili, to violate the norms of decency, either personally or en masse. Our concern is also to determine the mechanisms that lead them to tolerate this tendency to strip-tease under the frenzy of the rhythm of the song.

Autorentext

Hervé SHANDALAKA, Bachelor in Organisationskommunikation an der Nationalen Pädagogischen Universität, Journalist und Reporter beim Zentralradio und N.U. im Wirtschaftsministerium.

Klappentext

SEMIOLOGICAL ANALYSIS OF THE SONG "BOMA NGUNGI", considered to be one of the factors contributing to the depravation of morals among young people in the commune of N'DJILI, is the subject chosen for the communication study. Its main concern is to identify the signs contained in the song, through its "Dance steps" and its "Text", inciting the young people of our time, in this case those of N'djili, to violate the norms of decency, either personally or en masse. Our concern is also to determine the mechanisms that lead them to tolerate this tendency to strip-tease under the frenzy of the rhythm of the song.