Synge and the Making of Modern Irish Drama

In Synge and the Making of Modern Irish Drama, Anthony Roche draws on twenty-five years of engagement with Synge's plays to present ten chapters on the unfolding of a double narrative. It will be of considerable interest to students of Irish drama both in Ireland and worldwide.

Autorentext

ANTHONY ROCHE is an Associate Professor in the School of

English, Drama and Film at University College Dublin. He is the

author of the pioneering Contemporary Irish Drama (Second Edition,

2009) and the acclaimed Brian Friel: Theatre and Politics (2011).

He was the director of the Synge Summer School in Rathdrum, Co.

Wicklow, from 2005 to 2007.

Zusammenfassung
In Synge and the Making of Modern Irish Drama, Anthony Roche draws on twenty-five years of engagement with Synge's plays to present ten chapters on the unfolding of a double narrative. It will be of considerable interest to students of Irish drama both in Ireland and worldwide.

Inhalt
CONTENTS Dedication vii Acknowledgements x Abbreviations xii Introduction 1 1 | J.M. Synge: Christianity versus Paganism 11 2 | Synge and Germany: Drama as Translation 45 3 | Yeats, Synge and an Emerging Irish Drama 67 4 | Joyce, Synge and the Irish Theatre Movement 93 5 | Ghosts in Irish Drama: Synge's Riders to the Sea, Yeats's The Only Jealousy of Emer and Stewart Parker's Pentecost 135 6 | Woman on the Threshold: Synge's The Shadow of the Glen, Teresa Deevy's Katie Roche and Marina Carr's The Mai 161 7 | Marginal Zones and Liminality: Synge's The Well of the Saints and Samuel Beckett's Waiting for Godot 181 8 | Postmodern Playboy: Synge in the Twenty-First Century 199 9 | J.M. Synge and Molly Allgood: The Woman and the Tramp 231 10 | Brian Friel and Synge: Towards a Theatrical Language 245 Conclusion 263 Select Bibliography 271 Index 281