Tennessee Williams and Italy

This book reveals for the first time the import of a huge network of connections between Tennessee Williams and the country closest to his heart, Italy.

America's most thought-provoking playwright loved Italy more than any other country outside the US and was deeply influenced by its culture for most of his life. Anna Magnani's film roles in the 1940s, Italian Neo-realist cinema, the theatre of Eduardo De Filippo, as well as the actual experience of Italian life and culture during his long stays in the country were some of the elements shaping his literary output. Through his lover Frank Merlo, he also had first-hand knowledge of Italian-American life in Brooklyn. Tracing the establishment of his reputation with the Italian intelligentsia, as well as with theatre practitioners and with generations of audiences, the book also tells the story of a momentous collaboration in the theatre, between Williams and Luchino Visconti, who had to defy the unceasing control Italian censorship exerted on Williams for decades.

Fills a gap in scholarship on Williams in its focus on one of the playwright's key geographical influences Includes unpublished censorship documents revealing the interest of the Italian government in Williams' work Explores the Italian inspiration for Williams' play The Rose Tattoo

Autorentext
Alessandro Clericuzio teaches American Literature at the University of Perugia, Italy, where he has also taught courses on Italian Theatre and Comparative Drama. He has published books and essays in the fields of Film Studies, American Literature and Queer Studies.

Inhalt

Foreword;John S. Bak.- Acknowledgments.- A Note on Sources.- Introduction.- Chapter One. Tennessee Williams' Italian Reputation.- Chapter Two. Luchino Visconti and Tennessee Williams.- Chapter Three. More Streetcars.- Chapter Four. The Rose and the Stone.- Chapter Five. The Golden Years.- Chapter Six. Decline and Comeback.- Appendix. List of Main Italian Productions.- Works Cited.- Index.