The Absolute and the Cold War

The series "Encounters. The Warsaw Studies in English Language Culture, Literature, and Visual Arts" assembles publications dealing with culture, literature and visual arts developed in English-speaking countries. It includes academic works on a wide range of topics, including historical and recent developments in literary and cultural studies. The series wishes to be a meeting point for a variety of academic approaches that enable new ways of thinking and interpreting human experience.

This book analyzes art criticism on Abstract Expressionism, lauded as «the triumph of American painting.» It traces the ways in which the movement's meaning has been construed and constructed in reference to the changing cultural and political framework. Starting from the purely formal analyses of the 1950s and early 1960s, through the radical political statements of the late 1960s and early 1970s, until the later interpretations inspired mainly by gender and postcolonial studies, this book cuts across the domains of politics, philosophy and art criticism. The question of whether Abstract Expressionism was a «path to the Absolute» or a «weapon of the Cold War» is inscribed into the larger debate concerning the links between culture and politics.

Autorentext

Justyna Wierzchowska, Assistant Professor at the Institute of English Studies, Warsaw University, holds a double MA in American studies and philosophy. In 2008, she defended her PhD in which she analyzed discourses on Abstract Expressionism produced during and after the Cold War. She has participated in numerous American Studies conferences and published in Poland and abroad. She translates into Polish American modern fiction and art-related books.

Inhalt
Contents: American culture after 1945 American painting in the 1950s The interplay of European and American painting The philosophical perspectives of Abstract Expressionism Exclusive universalism of Abstract Expressionism.