The actor's poetic vocality

The investigation into the actor's poetic vocality stems from the researcher's own experience during his academic training in acting and theatre direction. Starting from the body registers based on the principles of comedy and the study of the role of the director, we seek an interrelationship between comedy and the central focus of the research, the actor's vocality, with the aim of analysing the result of this relationship. To this end, the lived experiences and inscriptions on the body, based on Jorge Larrosa Bondía, and Cecília Almeida Salles' concept of an open, living, mutable work in constant movement, embody and problematise the investigation into the physical and vocal actions generated in the creation process and selected during its execution by the actor-director.

Autorentext

Actor and Director, graduated from the Bachelor's Degree in Performing Arts - Qualification in Theatre Interpretation and Qualification in Theatre Direction at the Federal University of Santa Maria, with a Master's Degree from the Postgraduate Programme in Performing Arts at the Federal University of Rio Grande do Sul, in the Line of Research: Processes of Scenic Creation.

Klappentext

The investigation into the actor's poetic vocality stems from the researcher's own experience during his academic training in acting and theatre direction. Starting from the body registers based on the principles of comedy and the study of the role of the director, we seek an interrelationship between comedy and the central focus of the research, the actor's vocality, with the aim of analysing the result of this relationship. To this end, the lived experiences and inscriptions on the body, based on Jorge Larrosa Bondía, and Cecília Almeida Salles' concept of an open, living, mutable work in constant movement, embody and problematise the investigation into the physical and vocal actions generated in the creation process and selected during its execution by the actor-director.