The American Dream and American Cinema in the Age of Trump

The book uses film theory and insights from object relations theory to examine how recent films address and reflect the state of the 'American Dream'. It looks at how the American Dream is one of the organizing ideas of American cinema, and one of the most influential cultural outputs of the 21st century, at a time of internal crisis.

The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how the American Dream is one of the organising ideas of American cinema, and one of the most influential cultural outputs of the twenty-first century, at a time of internal crisis.

In an era characterised by populism, climate change and economic uncertainty, the book considers nine auteur films in how they illustrate the challenges of contemporary America. Graham S. Clarke and Ross Clarke present a bifocal perspective on some of the most well-received American films of recent years and how they relate to the American Dream in the context of the Trump presidency. For each of the nine films discussed, two different accounts are presented side by side so that each film is considered from an object relations psychoanalytic point of view (internal world) as well as a film and cultural theory perspective (external world). This unique approach is complemented by discussion of political and critical theory, providing a thorough and engaging analysis.

Challenging and insightful, The American Dream and American Cinema in the Age of Trump will be of great interest to scholars of cinema, popular culture, American studies and psychoanalytic studies.

Autorentext

Graham S. Clarke is a Visiting Fellow at the Department of Psychosocial and Psychoanalytic Studies, University of Essex, UK. He has published books and papers on Ronald Fairbairn's object relations-based psychology of dynamic structure and its application to the arts.

Ross Clarke is a screenwriter and director. He is a Lecturer in Film at Met Film School, UK. His films include Skid Row, a documentary about the acute homeless problem in downtown Los Angeles, the dramatic features The Birdcatcher and Desiree (aka The Chemist) and a football documentary about Brighton and Hove Albion FC. He is currently developing a film about Jorge Luis Borges based on the book by Jay Parini.

Zusammenfassung

The American Dream and American Cinema in the Age of Trump uses both film theory and insights from object relations theory in order to examine how recent films address and reflect the state of the 'American Dream'. This fascinating book looks at how the American Dream is one of the organising ideas of American cinema, and one of the most influential cultural outputs of the twenty-first century, at a time of internal crisis.

In an era characterised by populism, climate change and economic uncertainty, the book considers nine auteur films in how they illustrate the challenges of contemporary America. Graham S. Clarke and Ross Clarke present a bifocal perspective on some of the most well-received American films of recent years and how they relate to the American Dream in the context of the Trump presidency. For each of the nine films discussed, two different accounts are presented side by side so that each film is considered from an object relations psychoanalytic point of view (internal world) as well as a film and cultural theory perspective (external world). This unique approach is complemented by discussion of political and critical theory, providing a thorough and engaging analysis.

Challenging and insightful, The American Dream and American Cinema in the Age of Trump will be of great interest to scholars of cinema, popular culture, American studies and psychoanalytic studies.

Inhalt

Series Editor Preface

Caroline Bainbridge and Candida Yates

Introduction: The American dream and a binocular approach to analysing film

Chapter 1: External worlds

Chapter 2: Internal worlds

Chapter 3: The Revenant (Iñárritu, 2015)

Chapter 4: Roma (Cuaron, 2018)

Chapter 5: First Reformed ((The Old Guard) Schrader, 2017)

Chapter 6: Sicario (Villeneuve, 2015)

Chapter 7: Joker (Phillips, 2019)

Chapter 8: You Were Never Really Here (Ramsay, 2017)

Chapter 9: Widows (McQueen, 2018)

Chapter 10: Us (Peele, 2019)

Chapter 11: Once Upon A Time In Hollywood (Tarantino, 2019)

Conclusion: Reflections on the USA presidential elections and the end of Trump

Epilogue: Nomadland (Zhao, 2020)

References