The Art and Practice of Directing for Theatre

The formation and communication of vision is one of the primary responsibilities of a director, before ever getting to the nuts and bolts of the process. The Art and Practice of Directing for Theatre Second Edition helps the young director learn how to discover, harness, and meld the two.

Autorentext

Paul B. Crook is the Executive Director of the Etherredge Center for the Fine and Performing Arts, on the campus of the University of South Carolina Aiken, where he additionally serves as a Professor of Theatre. With over 25 years of experience as a director, actor, and educator, Paul has worked in theatres across the country, from New Mexico to Ohio. He spent several years as the Associate Artistic Director of the Oklahoma Shakespearean Festival in Durant, OK, and was the Artistic Director of the B & B Theatre in Ruston, LA - a small, professional company he started with his wife, Mary Fran. As an arts educator, prior to his arrival at USCA, Paul served as the Directing and Acting Professor at Louisiana Tech University, Director of Theatre at Andrew College, and was on the faculty of Shelton State Community College. Paul and Mary Fran have four delightful children and one delightful daughter-in-law: George (his wife, Abbi), CeCe, Bryant Ford, and Mary Ellis.

Inhalt

Part I: What Is a Director? 1. Purpose of a Director 2. Skills Directors Need 3. The Director's "Rules"
Part II: Preparation 4. Approaching a Script 5. Auditions and Casting 6. Technology and Social Media
Part III: Planning and Organization 7. The Rehearsal Calendar 8. Scheduling Rehearsals
Part IV: The Director in Rehearsal 9. Table Work and Blocking 10. Working and Running 11. Techs and Dresses
Part V: Opening Night and Beyond 12. It's open...what Now? 13. The Director's Portfolio
Appendix A: Lavalooooo!!!; Appendix B: Front Porch Requiem; Afterword; Glossary of Terms