The Catchers

Spring 1927. The birth of popular music. John Coughlin is a song-catcher from New York who has been sent to Appalachia to source and record the local hill-country musicians. His assignment leads him to small-town Tennessee where he oversees the recording session that will establish his reputation.

SHORTLISTED FOR THE 2025 RSL ONDAATJE PRIZE

LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2025

'Bristles with expertly calibrated menace and moral ambiguity' -"TLS"

'Elegant and eloquent' -"Daily Mail"

'A propulsive narrative that immediately grabs our interest' -"Financial Times"

'"The Catchers" is a delight' -"The Guardian"

'Hugely atmospheric' -"Independent"

'An evocative musical road trip' -"Observer"

'A spacious, sweeping novel' -"The Spectator"

'This incisive, sharply written novel.' -"The Sunday Times"

Selected by Martin Chilton for 'The 20 best books of the year' -"Independent"

Spring 1927. The birth of popular music. John Coughlin is a song-catcher from New York who has been sent to Appalachia to source and record the local hill-country musicians. His assignment leads him to small-town Tennessee where he oversees the recording session that will establish his reputation. From here he ventures further south in search of glory. He is chasing what song-catchers call the big fish or the firefly; the song or performer which will make a man rich.

Waylaid at an old plantation house, Coughlin gets wind of a black teenage guitarist, Moss Evans, who runs bootleg liquor in the Mississippi Delta. The Mississippi has flooded, putting the country underwater, but Coughlin is able to locate the boy and bring him out. Coughlin views himself as a saviour. Others regard him as a thief and exploiter. Coughlin and Moss - the catcher and his catch - pick their way across a ruined, unstable Old South and then turn north through the mountains, heading for New York.

Autorentext

Xan Brooks is an award-winning writer, editor and broadcaster. He was one of the founding editorial team at the Big Issue magazine in London and spent 15-years as a writer and associate editor at the Guardian newspaper. His debut novel, The Clocks in This House All Tell Different Times, was listed for the Costa First Novel Award, the Author's Club Award, the Desmond Elliott Prize and the Walter Scott Prize for Historical Fiction.

Klappentext

SHORTLISTED FOR THE 2025 RSL ONDAATJE PRIZE

LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 2025

'Bristles with expertly calibrated menace and moral ambiguity' -TLS

'Elegant and eloquent' -Daily Mail

'A propulsive narrative that immediately grabs our interest' -Financial Times

'The Catchers is a delight' -The Guardian

'Hugely atmospheric' -Independent

'An evocative musical road trip' -Observer

'A spacious, sweeping novel' -The Spectator

'This incisive, sharply written novel.' -The Sunday Times

Selected by Martin Chilton for 'The 20 best books of the year' -Independent

Spring 1927. The birth of popular music. John Coughlin is a song-catcher from New York who has been sent to Appalachia to source and record the local hill-country musicians. His assignment leads him to small-town Tennessee where he oversees the recording session that will establish his reputation. From here he ventures further south in search of glory. He is chasing what song-catchers call the big fish or the firefly; the song or performer which will make a man rich.

Waylaid at an old plantation house, Coughlin gets wind of a black teenage guitarist, Moss Evans, who runs bootleg liquor in the Mississippi Delta. The Mississippi has flooded, putting the country underwater, but Coughlin is able to locate the boy and bring him out. Coughlin views himself as a saviour. Others regard him as a thief and exploiter. Coughlin and Moss - the catcher and his catch - pick their way across a ruined, unstable Old South and then turn north through the mountains, heading for New York.