The Communication and Reception of Polish Theatre in China

This study combines a literature review from a macro perspective and case studies from a micro perspective to reveal the communication and reception of Polish theatre in China, starting from the reception-end to explore the factors that influence the communication of Polish theatre.

Autorentext

Guofeng Teng holds dual master's degrees in Arts and Sciences and earned a doctorate from the University of Wroclaw. Her academic pursuits are centered around cross-cultural communication, interpersonal communication, and the reception of cross-cultural products imbued with cultural values from an interdisciplinary perspective.

Inhalt
Chapter 1 Introduction on research ideas, method, and structure of the study Chapter 2 Brief introduction of Chinese theatre Huaju and an overview of the communication of Polish theatre in China Chapter 3 A case study on the recognition and reception of Jerzy Grotowski's theatrical legacy in China Chapter 4 A case study on the reception of Krystian Lupa's production Mo Fei in China Chapter 5 A case study on the reception and reference value of Krzysztof Warlikowski's production (A)pollonia in China Chapter 6 A case study on the reception of Krystian Lupa's A Madman's Diary in China Chapter 7 Summary of the study Acknowledgements Index