The Daughter of Time

In "The Daughter of Time," Josephine Tey masterfully intertwines historical inquiry with the detective genre, as her protagonist, Inspector Alan Grant, lies bedridden and grapples with the enigma of King Richard III. Tey employs a distinctive narrative style that deftly combines sharp dialogue, rich character development, and an invigorating critique of historical narratives, all while engaging the reader's intellect. Set against the backdrop of 1950s Britain, the novel brings to light the malleability of history, challenging long-standing perceptions of Richard III's vilification and invoking a deeper exploration of truth versus myth. Josephine Tey, born Elizabeth Mackintosh, was a prominent figure in the Golden Age of British crime fiction. Her own experiences in the theater and her keen interest in history undeniably influenced her narrative approach in "The Daughter of Time." With her penchant for challenging established norms, Tey reflects her belief that historical figures deserve scrutiny beyond their vilified reputations, suggesting a layered understanding of human motives and morality. This novel is a compelling read for anyone interested in the intersection of history and literature, blending captivating storytelling with a profound philosophical inquiry. Tey's exploration of Richard III's legacy invites readers to question the complexities of truth, making it an essential addition to both historical and detective fiction collections.

Autorentext

Josephine Tey (1896-1952 in London) war eine Kriminalschriftstellerin und Theaterautorin. Ihre heutige Bekanntheit basiert allerdings fast ausschließlich auf ihren Kriminalromanen. Sie wird zum sogenannten goldenen Zeitalter des Kriminalromans gezählt, einer Periode, in der dieses Genre von Erzählerinnen wie Agatha Christie, Dorothy L. Sayers und Ngaio Marsh geprägt wurde. Ihr Roman Die Tochter der Zeit oder Alibi für einen König wurde von der englischen Autorenvereinigung Crime Writers' Association zum besten Kriminalroman aller Zeiten gewählt und 1969 mit dem Grand prix de littérature policière ausgezeichnet.