The Dissemination of Music in Seventeenth-Century Europe

In this volume fifteen musicologists from five countries present new findings and observations concerning the production, distribution and use of music manuscripts and prints in seventeenth-century Europe. A special emphasis is laid on the Düben Collection, one of the largest music collections of seventeenth-century Europe, preserved at the Uppsala University Library. The papers in this volume were initially presented at an international conference at Uppsala University in September 2006, held on the occasion of the launching of The Düben Collection Database Catalogue on the Internet. For the first time, the entire collection had been made acessible worldwide, covering a vast number of musical and philological aspects of all items in the collection.

Autorentext

The Editor: Erik Kjellberg is professor of Musicology at Uppsala University since 1985. He has published many studies on music in Sweden notably from the seventeenth century based on extensive archival research. In addition he is the author of books and articles on jazz.

Inhalt

Contents: Erik Kjellberg: The Düben Family and the Düben Collection - Kia Hedell: The Missa super Im Mayen and the Düben Collection in relation to the German Church Collection in Stockholm - Juliane Peetz: The large Tablature Books in the Düben Collection - Barbara Wiermann: Vokal-instrumentale Werke in der Sammlung Düben - Überlieferung und Aneignung - Friedhelm Krummacher: Vokalmusik der Dübensammlung im Repertoire der Zeit. Fragen und Beispiele im Rückblick - Konrad Küster: Fame, Politics, and personal Relationship: Whom did Düben know in the Baltic Area? - Peter Wollny: A Source Complex from Saxony in the Düben Collection - Lars Berglund: The Roman Connection. The Dissemination and Reception of Roman Music in the North - Aleksandra Patalas: Ut oratio sit Domina. The Dispute between Romano Micheli and Marco Scacchi - Stephen Rose: The Composer as Self-Publisher in Seventeenth-Century Germany - Werner Braun: Zeitereignisse in Meders Oper Die beständige Argenia (1680) - Jan Olof Rudén: Ensemble Music copied by the Swedish Student Nils Tiliander in Greifswald, Rostock and Wittenberg 1698-1699 - Kerala J. Snyder: Beyond Sources and Works. A fresh Look at Buxtehude's Legacy - Erik Kjellberg: The Düben Database project - Carl-Johan Bergsten: The Düben Database structure - Anders Edling: The use of the Düben Collection as seen in the Correspondence of the Uppsala University Library.