The Eccentricity and The Postcolonial Dynamic of Music

The post-independent music evolves especially, from a simple to a more compound whole within the understanding of convention of representation and the association of experience become structural materials. Thereby, the basic component of conventional imagery, and the colonialist dynamic straightforward influences frame a new idiosyncratic type that evaluates the establishment of realty, memory and symbol. Therefore, the Western Sahel and Savanah oral art, the Yela embodies a protrusive source of vindication within the intellective and creative process of understanding become an object of perception. From an ingenuous beget to a more compound whole of a convention of representation, and the association of experience, the Yela inside the Puular language becomes a structural material.

Autorentext

Souleymane Diallo è un insegnante di inglese e un membro della scuola di dottorato in Culture e Civiltà delle Arti e anche un membro del Laboratorio di Studi Postcoloniali e Africani del Dipartimento Anglofono dell'Università Cheikh Anta Diop, Dakar, Senegal. Ha pubblicato un grande e vario numero di articoli sugli studi africani e sul postcolonialismo.