The Feminine in German Song

Nineteenth-century composers were drawn to subjects related to gender. Songs about women open a view into nineteenth-century understandings of gender and sexuality. The author argues about ways to hear sexual difference in Lied, analyzing musical compositions in the light of composer biographies and in terms of musical gestures. Her comparison of the Suleika and Lorelei songs by Romantic composers, including the Mendelssohns and the Schumanns, reveals cultural and sexual anxieties besides conflicting arguments about music and its perception. Both the songs and their critique illustrate the functioning of gender in nineteenth-century composition and aesthetic reasoning.

Autorentext

The Author: Sanna Iitti received her Ph.D. in music from New York University. She has published extensively on gender and musical aesthetics and is currently affiliated with the Institute for Art Research, University of Helsinki.