The Live Music Business

The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry.

Autorentext

Andy Reynolds has worked as an international concert tour manager and audio engineer for over 20 years. He has toured continuously during this time, working on an average of 200 shows per year. Andy has worked for such bands as George Fitzgerald, Maribou State, The Pierces, Maverick Sabre, All-American Rejects, House of Pain, Machine Head, Nightmares On Wax, Pavement, Roots Manuva, Super Furry Animals, Skunk Anansie, Squarepusher, and The White Stripes. He has worked with bands on tours by such acts as U2, Whitney Houston, Manic Street Preachers, and Foo Fighters. His touring experience encompasses stadiums, arenas, theatres, pubs, bars, clubs, outdoor festivals, rooftops, subway stations, cruise ships, mountainsides, and very, very muddy fields. Andy is also the author of 'The Tour Book - How to get Your Music on the Road', the musicians definitive guide to gigging and touring, and 'Playing Your First Music Festival', a gudie to performing at green-field, open-air, music festivals. Andy lectures to students of music management and live audio engineering at the University of West London/London College of Music, Buckinghamshire New University, Cato Academy, and Access To Music.

Zusammenfassung
The Live Music Business: Management and Production of Concerts and Festivals, Third Edition, shines a light on the enigmatic live music business, offering a wealth of inside advice and trade secrets to artists and bands looking to make a living in the industry.

Inhalt

Introduction / Part One: Live Music Management / 1. THE ARTISTS / 2. ARTIST MANAGEMENT / 3. BOOKING AGENTS / 4. CONCERT PROMOTERS / 5. CREATING THE DEALS / 6. THE CONTRACT / 7. THE CONTRACT RIDER / 8. REVENUE STREAMS FROM LIVE MUSIC - ARTISTS / 9. REVENUE STREAMS FROM LIVE MUSIC -PROMOTERS AND ORGANISERS / 10. MARKETING AND PROMOTION / 11. FESTIVALS / 12. STRATEGY / Part Two: Live Music Production / 13. PLANNING A TOUR / 14. BUDGET / 15. WAGES / 16. TRANSPORT / 17. ACCOMMODATION / 18. PRODUCTION / 19. OTHER PRODUCTION CONSIDERATIONS / Appendix 1: Concert Production Personnel / Appendix 2: A Performance Contract / Appendix 3: Contract Rider / Appendix 4: Tour Budget Sheet / Appendix 5: Day-to-Day Schedules