The New Shelley

The last two decades have seen the business of researching and writing about Percy Bysshe Shelley change in positive and significant ways. Shelleyan characteristics which were once deemed negative are now reviewed as critically engaging qualities. The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.

Zusammenfassung
The New Shelley: Later Twentieth-Century Views is a collection of original essays by some of the leading Romanticists which situates Shelley for our own age, but not only by contextualizing him within our own scene of critical practice, but also by replacing him within his own scene of poetic production.

Inhalt
Preface - Notes on the Contributors - Introduction; G.K.Blank - PART 1: ISSUES - Shelley: Style and Substance; R.Tetreault - Shelley and Class; P.M.S.Dawson - The Nursery Cave: Shelley and the Maternal; B.C.Gelpi - 'These Common Woes': Shelley and Wordsworth; L.M.Steinman - PART 2: READINGS - The Web of Human Things: Narrative and Identity in Alastor; T.Rajan - Shelley as Revisionist: Power and Belief in Mont Blanc; J.E.Hogle - Julian and Maddalo as Revisionary Conversation Poem; C.Rzepka - Self, Beauty and Horror: Shelley's Medusa Moment; W.Hindebrand - Metaphor and Allegory in Prometheus Unbound; R.G.Woodman - Seduced by Metonymy: Figuration and Authority in The Cenci; S.Peterfreund - Poetic Antonomy in Peter Bell the Third and The Witch of Atlas; J.Hall - Love, Writing, and Scepticism in Shelley's Epipsychidion; A.Leighton - Appendix: A Shelley Survey: Which Shelley Now?; G.K.Blank - Works Cited