The Ruling Clawss

Informationen zum Autor Syd Hoff, introduction by Philip Nel Klappentext "In December 1935, when the Daily Worker was but an 11-year toddler-yet a precocious and terrifying one at that-the Communist Party newspaper issued a 184-page, large format (7" x 10") hardback collection of cartoons A. Redfield published in the paper. The generous volume, called The Ruling Clawss, reprinted one cartoon per page. Prompt Press, a union shop, printed the book, which bears the union label"-- Zusammenfassung Published under the pseudonym A. Redfield by prominent New Yorker contributor Syd Hoff in the 1930s, these mordant and marvellously drawn gag comics skewer the rich and powerful with a pointed pen. During his career as a New Yorker cartoonist, and before he wrote Danny and the Dinosaur , Syd Hoff wrote under a different name. He was A. Redfield, a cartoonist for the communist newspaper the Daily Worker , and a scourge of the rich and powerful. Scorning what he saw as the complicity and stale jokes of cartooning peers, Hoff set his sights on the ruling class and revealed them for what they were: hilariously inept, deeply selfish, and incredibly dangerous. Hoff spared nothing from his pen, lampooning police brutality, thin-skinned industrialists, racists, and the looming threat of fascism at home and abroad. This new edition of The Ruling Clawss includes a new introduction by the historian Philip Nel, who reveals? the story behind the rise and disappearance of Hoff's Redfield. The Ruling Clawss cements Hoff as a master of the gag comic, whose work remains powerfully funny and troublingly resonant.

Autorentext

Syd Hoff, introduction by Philip Nel

Klappentext

Published under the pseudonym A. Redfield by prominent New Yorker contributor Syd Hoff in the 1930s, these mordant and marvellously drawn gag comics skewer the rich and powerful with a pointed pen.

During his career as a New Yorker cartoonist, and before he wrote Danny and the Dinosaur, Syd Hoff wrote under a different name. He was A. Redfield, a cartoonist for the communist newspaper the Daily Worker, and a scourge of the rich and powerful.

Scorning what he saw as the complicity and stale jokes of cartooning peers, Hoff set his sights on the ruling class and revealed them for what they were: hilariously inept, deeply selfish, and incredibly dangerous. Hoff spared nothing from his pen, lampooning police brutality, thin-skinned industrialists, racists, and the looming threat of fascism at home and abroad.

This new edition of The Ruling Clawss includes a new introduction by the historian Philip Nel, who reveals
 the story behind the rise and disappearance of Hoffʼs Redfield. The Ruling Clawss cements Hoff as a master of the gag comic, whose work remains powerfully funny and troublingly resonant.