The Shakespearean Marriage

Marriage features to a greater or lesser extent in virtually every play Shakespeare wrote - as the festive end of comedy, as the link across the cycles of the history plays, as a marker of the difference between his own society and that depicted in the Roman plays, and, all too often, as the starting-point for the tragedies. Situating his representations of marriage firmly within the ideologies and practices of Renaissance culture, Lisa Hopkins argues that Shakespeare anatomises marriage much as he does kingship, and finds it similarly indispensable to the underpinning of society, however problematic it may be as a guarantor of personal happiness.

Autorentext

Lisa Hopkins

Inhalt
Acknowledgements - Introduction: Shakespeare and Contemporary Marriage - Marriage as Comic Closure - Marriage in the Middle - What Makes a Marriage - The Fate of the Nation: Marriage in History Plays - Roman Marriage - Tragic Marriage - The Wedding of the Daughter: Marriage in the Last Plays - Conclusion - Notes - Index