Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century

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Details

This book is a study of how transfictional and transmedia storytelling emerges in the nineteenth century and how the period's receptive practices anticipate the receptive practices of fandom and transmedia storytelling franchises in the twentieth and twenty-first centuries. The central claim is that the serialized, periodical, and dramatic media environment of the late eighteenth century through the nineteenth century in Great Britain trained audiences to perceive the continuous identity of characters and worlds across disparate texts, illustrations, plays, and songs by creators other than the earliest originating author. The book contributes to fan studies, transmedia studies, and nineteenth-century periodical studies while also interrogating the nature of fictional character.

Studies the emergence of transfictional and transmedia storytelling in the nineteenth century Contributes to fan studies, transmedia studies, and nineteenth century periodical studies Interrogates the nature of fictional character

Autorentext

Erica Haugtvedt is Assistant Professor of English in the Humanities Department at South Dakota Mines in Rapid City, South Dakota, USA. She specializes in nineteenth-century British literature, media and advertising history, and popular culture. She received her PhD in English from Ohio State University in 2015. She works on the serial Victorian novel and its contemporaneous adaptations particularly focusing on serial character across media. Her articles have appeared in Victorian Studies, Victorian Periodicals Review, Transformative Works and Cultures, and Victorian Popular Fictions Journal. ****



Inhalt

  1. Introduction: From Novel Studies to Fan Studies.- 2. Pickwick Abroad (18371838): Transfictional Character as
    Permanent Object .- 3. Jack Sh Sheppard (18391840): Class and Complex Transfictional Character.- 4. Trilby (1894) in the Marketplace: fin de siècle Merchandising and Transfictional Character as Branded Object.- 5. Sherlock Holmes (18871930) and Believing in Character.- 6. Afterword.

Weitere Informationen

  • Allgemeine Informationen
    • GTIN 09783031134654
    • Lesemotiv Verstehen
    • Genre Business, Finance & Law
    • Auflage 1st edition 2022
    • Sprache Englisch
    • Anzahl Seiten 232
    • Herausgeber Springer International Publishing
    • Gewicht 306g
    • Größe H210mm x B148mm x T13mm
    • Jahr 2023
    • EAN 9783031134654
    • Format Kartonierter Einband
    • ISBN 3031134656
    • Veröffentlichung 18.11.2023
    • Titel Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century
    • Autor Erica Haugtvedt
    • Untertitel Palgrave Fan Studies

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