Transmediating the Whedonverse(s)

The first volume to focus on the transmediation of a specific auteur Utilizes a multidiscpinarly approach, drawing upon transmedia studies, fandom studies, Whedon studies, feminism, posthumanism, film studies, and narratology Analyzes Whedon's role in creating metatexts that work to connect autonomous paratexts

Autorentext
Juliette C. Kitchens is an Associate Professor of Writing and Communication at Nova Southeastern University.
Julie L. Hawk is a Lecturer in English and Research Development Coordinator at the University of West Georgia.

Inhalt
Chapter 1: Exploring a Whedonverse, the Whedonverses, and the Whedonverse(s): The Shape of Transmedia Storytelling in Joss Whedon's World(s).- Chapter 2: Un-Warren-ted: Or, How I Learned to Stop Worrying and Love My Transgressive Fandom.- Chapter 3: History Has Its Eyes on the Greatest Hellmouth in the World: Transmedia, Hint Fiction, and Mashup Memes.- Chapter 4: Transmediating the Whedon Classroom.- Chapter 5: This is the next me: The Evolution of AI in the Whedonverse.- Chapter 6: You're not the source of me: Navigating and Mastering the Transmedial at the End of Buffy the Vampire Slayer's Fourth Season.- Chapter 7: To Speak Against an Opponent Eloquently Makes You an Unusual Personage: Joss Whedon as Deleuzian 'Minor Writer'.- Chapter 8: The Transtextual Road Trip: Buffy the Vampire Slayer, Supernatural, and Televisual Forebears.- Chapter 9: A Brief Note on Looking Forward.- Index.