Visual Devices in Contemporary Prose Fiction

This book acknowledges that the reader of a novel looks at and sees the page before they begin to read any text placed upon it. Thus, any disruptions to how a traditional page 'should look' can have a large impact on the reading process. The book critically engages with the visual appearance of graphically innovative contemporary prose fiction.

Autorentext
Dr Simon Barton is an Associate Lecturer in English Literature at the University of Salford, UK, where he teaches on Twentieth and Twenty-First Century Literature modules. He specializes in Modern and Contemporary Literature, with a focus on the experimental and avant-garde.

Inhalt

List of Figures
Acknowledgements
1: An Introduction to Visual Devices in Contemporary Prose Fiction
2: Reading Textual Gaps
3: Textual Gestures: Iconic Text and Narrative
4: Graphic Storytelling and Visual Narrative: Images in Prose Fiction
5: Case Study 1: Raymond Federman's (1992)
6: Case Study 2: William H. Gass's (1968)
7: Conclusions
Bibliography
Index