Wagner as I Knew Him

In "Wagner as I Knew Him," Ferdinand Praeger offers an intimate and nuanced exploration of the life and character of Richard Wagner, drawing upon his personal experiences and encounters with the legendary composer. Praeger's prose is characterized by its vivid, impressionistic style, capturing not only Wagner's artistic genius but also the complexities of his personality. Set against the backdrop of the 19th-century German cultural landscape, the book provides a unique lens through which to view Wagner's works, revealing the intricate interplay between the man and his music, while also engaging with the shifting tides of public perception surrounding Wagner's legacy. Ferdinand Praeger, a contemporary of Wagner, was deeply immersed in the world of music and art, which informed his insights into the composer's life. As a musician, critic, and collaborator of Wagner, Praeger's perspective is rooted in firsthand encounters and shared artistic circles, allowing him to weave a narrative that is both personal and authoritative. His commitment to accurately portraying Wagner's character, while simultaneously addressing the controversies of the composer's persona, makes his account invaluable for understanding the man behind the music. "Wagner as I Knew Him" is indispensable for musicologists, Wagner enthusiasts, and anyone interested in the profound connection between artist and art. Praeger's reflections conflate admiration with critique, providing readers with a multi-dimensional perspective. This work distinguishes itself as not just a biography but as an essential commentary on the cultural and artistic currents of its time, making it an enriching read that resonates well beyond the realms of music scholarship.

Klappentext

In "Wagner as I Knew Him," Ferdinand Praeger offers an intimate and nuanced exploration of the life and character of Richard Wagner, drawing upon his personal experiences and encounters with the legendary composer. Praeger's prose is characterized by its vivid, impressionistic style, capturing not only Wagner's artistic genius but also the complexities of his personality. Set against the backdrop of the 19th-century German cultural landscape, the book provides a unique lens through which to view Wagner's works, revealing the intricate interplay between the man and his music, while also engaging with the shifting tides of public perception surrounding Wagner's legacy. Ferdinand Praeger, a contemporary of Wagner, was deeply immersed in the world of music and art, which informed his insights into the composer's life. As a musician, critic, and collaborator of Wagner, Praeger's perspective is rooted in firsthand encounters and shared artistic circles, allowing him to weave a narrative that is both personal and authoritative. His commitment to accurately portraying Wagner's character, while simultaneously addressing the controversies of the composer's persona, makes his account invaluable for understanding the man behind the music. "Wagner as I Knew Him" is indispensable for musicologists, Wagner enthusiasts, and anyone interested in the profound connection between artist and art. Praeger's reflections conflate admiration with critique, providing readers with a multi-dimensional perspective. This work distinguishes itself as not just a biography but as an essential commentary on the cultural and artistic currents of its time, making it an enriching read that resonates well beyond the realms of music scholarship.