Weak Painting After Modernism

This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with.

Autorentext

Craig Staff is Reader in Fine Art and MA Fine Art Programme Leader at the University of Northampton, UK.

Inhalt

Introduction 1. The Slow Crepuscle of Modernity 2. Painting into Sculpture 3. Any Kind of Fabric 4. Receptor Surfaces 5. Minimum Security Painting 6. Pluralism of a Kind